4,610 Reviews ● 1,343 Films/Shows ● 59 Top Critics
37 Languages ● And Growing!

Poster of the film Toxic: A Fairy Tale for Grown-ups

Toxic: A Fairy Tale for Grown-ups

Action Crime Drama Kannada


A powerful drug cartel pulls the strings behind a facade of sun-soaked beaches as a gritty, violent underworld power struggle emerges during the crumbling of Portuguese colonial rule.

Cast:Yash, Nayanthara, Kiara Advani, Rukmini Vasanth, Huma Qureshi, Tara Sutaria, Sudev Nair, Akshay Oberoi, Balaji Manohar, Darrell D'Silva, Amit Kumar Tiwari
Director:Geethu Mohandas
Writer:Geethu Mohandas, Yash
Editor:Ujwal Kulkarni
Camera:Rajeev Ravi
FCG Score for the film Toxic: A Fairy Tale for Grown-ups

All Guild Reviews of "Toxic: A Fairy Tale for Grown-ups"

The Indie Director-Star Nightmare Continues

Fox in morning light

Anmol Jamwal | Tried & Refused Productions

Thu, August 27 2026

A Fairytale for Grown Up……men

Fox in morning light

Sucharita Tyagi | Independent Film Critic

Thu, August 27 2026

Image of scene from the film Toxic: A Fairy Tale for Grown-ups

Tabaahi Tabaahi Tabaahi

Fox in morning light

Rohit Khilnani | Bollywood Hungama writing for The Film World

Thu, August 27 2026

There are bad films, then there are really bad films. And then there is something like Geetu Mohandas' Yash-starrer Toxic — a lavish spectacle with everything except a story strong enough to hold it together.

There are many bad films. I’ve seen bad films week after week. But there are bad films, and then there are really bad films. And then there is something like Geetu Mohandas’ Yash-starrer Toxic. The biggest problem with Toxic is not the lack of resources. In fact, it’s the opposite. The makers had everything you could possibly need to make a big, ambitious film: a superstar, a producer with money, a fantastic technical team, some of the biggest actresses, good music, huge sets, international locations and all the money required to create a spectacle. What they didn’t have was a good story.

Continue reading …

Image of scene from the film Toxic: A Fairy Tale for Grown-ups

Confused and Dense Film That Mistakes Pomposity for Style

Fox in morning light

Kirubhakar Purushothaman | The Federal writing for The Federal

Wed, August 26 2026

Toxic is a three-hour ode to a hero who insists he isn't one and never notices the contradiction.

Of course, Toxic has a narrator. How can it not? How can it not have the lazy storytelling device that’s quintessential of this brand of film that’s basically ‘stuti puranam’ (hymn of adoration) of the protagonist. How can we just have an introduction scene of Yash without a narration in the background that is all talk and no sense. How can he make a direct entry, without teasing the fans with glimpses of his hands, neck tattoo and cigar, before finally revealing his face. So, yes, Toxic has a narrator, the bazooka gun, small guns, big guns, big cigars, small joints, women, more women, beheadings, blood splattering, mutilated hands, mutilated legs and for good measure, also another Yash! What it doesn’t have is the depth and style it so badly attempts at.

Continue reading …

Image of scene from the film Toxic: A Fairy Tale for Grown-ups

Yash’s Raging, Visually Electrifying Gangster Epic Is Too Rushed to Find Its Footing

Fox in morning light

Debanjan Dhar | Outlook

Wed, August 26 2026

Director Geetu Mohandas probes how far men with vain, violently maniacal impulses can go, but her design is almost cartoonish and her voice is dulled by studio artillery, despite DP Rajeev Ravi’s extravagant mounting.

Toxic: A Fairy Tale For Grown-Ups stomps to theatres with a busload of expectations and curiosity. The pairing of a distinctive filmmaker like Geetu Mohandas, who can twist and interrogate genres as she did in the wrenching Moothon (2019), and a superstar, Yash, is one of the most provocative bets to have surfaced in mainstream Indian cinema. It’s a great pity then Mohandas’ voice gets sanded under the crushing, loud antics of this blood-soaked saga around men, guns and guilt. There are stray glimpses that the filmmaker wants to say something about the nihilism of the violence that carry on from one generation to the next in a tired, self-defeating cycle. In a departure from genre staples, Mohandas also seeks to voice the intense self-loathing hidden underneath men on bloodthirsty rampages. However, Ujwal Kulkarni’s scattershot, frenzied edit constantly drains both poignance and any sustained mood.

Continue reading …

Latest Reviews

Image of scene from the film Pyre
FCG Rating for the film Pyre: 71/100
Pyre

Drama (Hindi)

In the Himalayan Mountain range, a rural village loses its inhabitants to the city’s allure while… (more)

Image of scene from the film Nocturne
Nocturne

Crime, Drama, Mystery (English)

When a victim of notorious serial killer Jurek Walter unexpectedly turns up alive, detective Jonah Lynn… (more)

Image of scene from the film Udta Teer
FCG Rating for the film Udta Teer: 51/100
Udta Teer

Comedy, Action (Hindi)

An amnesiac Pakistani spy wakes up believing he is a patriotic Indian counter-terrorism officer.… (more)

Image of scene from the film Body
Body

Drama (Hindi)

In the post covid world, Manoj, a young, struggling actor, is trying to cope with his… (more)