Tees
Drama Science Fiction Hindi
Spanning across 90 years, follow a middle-class Muslim family across three generations. 2042. Six months after his manuscript titled Tees (30) is rejected for publication by the Literature and Arts Commission, Anhad Draboo, a young freelance prostitute, meets Niharika, a “reader” from the Commission – who has been searching for Anhad ever since she read his manuscript. 2018. Zia Draboo, a corporate lawyer living in Mumbai and all set to buy the flat she has been renting with her partner Meera, finds out she cannot buy it because of the Housing Society’s resistance to her name. 1989-90. Ayesha, a housebound State Radio newsreader in Srinagar, Kashmir, reaches out to her childhood friend Usha to solicit help from her husband – a government official. She needs it for her own husband, Ghulam Muhammad, who faces bankruptcy and ruin amongst rising unrest in the city.
| Cast: | Naseeruddin Shah, Huma Qureshi, Manisha Koirala, Kalki Koechlin, Neeraj Kabi, Divya Dutta, Zoya Hussain, Shashank Arora, Rohan Joshi, |
|---|---|
| Director: | Dibakar Banerjee |
| Writer: | Dibakar Banerjee, Gaurav Solanki |
| Camera: | Ranjan Palit |
All Guild Reviews of "Tees"
Dibakar Banerjee’s Unreleased Saga Is Ambitious, Intimate, and Incendiary
Dibakar Banerjee's generation-spanning saga about entrapment and emancipation remains incarcerated in Netflix's digital dungeon. What a crime.
In director Dibakar Banerjee’s Tees, three generations of a Kashmiri family grapple with identity, erasure, and a desire to be heard in an ever-evolving and increasingly intolerant India. It is cruelly ironic, therefore, that the movie itself has been throttled like its characters. Originally titled Freedom, the ambitious saga has effectively been caged on a hard disk by the paranoid Netflix. But despite being denied a release by the streamer, Tees was presented in its complete form at the 13th Dharamshala International Film Festival recently, with Banerjee present to soak in the warmth that seemed to be emanating from the hundreds of pilgrims who queued up for it on a winter evening. Tees opens, rather worryingly, with a scene that wouldn’t feel out of place in Banerjee’s latest, Love Sex Aur Dhoka 2, which was more an act of self-immolation than self-expression, if we’re being honest. A computer-generated black cat walks towards us, before it is revealed to be the internet avatar of a human being looking for a connection. The year is 2042, and a young writer named Anhad Draboo (Shashank Arora) appears rattled by the rejection of his rebellious verses by an overbearing government.
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